The Bad Plus has spent almost fifteen years redefining what a piano-bass-drums trio can and should be. They’ve reached audiences of all demographic stripes with an uncompromising body of original music (plus some ingenious, genre-jumping covers) and dedicated touring around the globe. On their eighth studio album, Made Possible, bassist Reid Anderson, pianist Ethan Iverson and drummer David King take their distinctive musical M.O. to captivating new heights, proving once again that the rules of musical convention are made to be broken.
“This band contains some of the most punk energy I’ve ever seen or felt as a musician — it just doesn’t need to do it so obviously,” King says. “That’s our statement. It’s a complex emotion.
Few jazz groups in recent memory have amassed such acclaim, and few have inspired such controversy. Their belief in the band ethos and their personal brand of avant-garde populism have put them at the forefront of a new instrumental music movement, drawing audiences both traditional and mainstream. While the bulk of their output has been original music, they have deconstructed songs in the pop, rock as well as the country and classical music idioms.